Michelle, the matriarch of the home, was so excited to see us, and excited to take us out into the cold dark to wait for the first part of the ceremony. I pray I get the facts of the ceremony and the symbolism correct, because her husband, who explained it to us, had had a stroke and couldn't speak well, and English was not his first language. But I will relate it as I believe he told it.
They took us out, along with one of the children, and stood waiting (in the freezing cold) with a group of other Hopi waiting. After a time, from the east came a Kachina, in shadow with a sliver of light behind her, because I believe it was the Kachina represented by this doll, the Crow Woman. (Though the Kachina represented was a woman, all of the Kachinas are men of the tribe in mask and costume. They become the essence of the spirit of the Kachina when they don the mask. It is very sacred to them.)The Crow Woman (Angwusnasomta) was walking very slowly and singing a chant, sounding somewhat like moans. It was explained that she was crying, remembering the past, bringing it out and letting it go to be able to begin a new cycle. This ceremony is representative of renewal, rebirth, and fertility--letting the past go and starting anew.
When this was complete we came back to the house and Michelle fed us a delicious breakfast of eggs and potatoes and their delicious fry bread made from blue corn meal. This little pot belly stove was their only source of heat.
The girls hang the Kachina dolls on their walls or from the beams of their house. Each Kachina has a different purpose. They represent the spirits sent to help them live the Hopi Way and to teach the children to be kind and obedient. The Hopi believe that the Kachinas live in the San Fernando Mountains and used to come be with them, but because of disobedience they no longer come in solid form, so the men take on their spirits. The children believe the Kachinas are the true spirits until they are around 8 to 10 years of age, when they are initiated at the Bean Ceremony, and taken into the Kivas where the Kachinas remove their masks and they see that they are actually their relatives and friends, representing the spirits.
The Kivas are underground ceremonial rooms, considered very sacred. The Hopi ancestors were said to live underground until their world was destroyed and the ant people helped them climb up ladders onto the earth. The Kivas represent the anthills of the Ant People, who continue to give spiritual help to the Hopi. They enter and exit the Kivas through ladders. There were six kivas in the village of Hotevilla.
Sixteen days before the Bean Ceremony, the initiated men and boys bring sand into the Kiva and plant bean seeds. They showed us the seeds and they appear to be lima beans. They keep the Kiva hot with a fire burning continuously, and moist, with a blanket over a hole to allow the beans to grow. Besides the bean sprouts presented by the Crow Woman in the early morning, each family received a large handful of the sacred bean sprouts to make their ceremonial bean sprout soup with. Here is Michelle preparing the bean sprouts for the soup, and I am cutting salt pork to add to the soup.
We were blessed to share the meal of bean sprout soup and salt pork. Michelle had also made piki bread. Piki bread is a significant food both culturally and nutritionally to the Hopi, and is usually used in ceremonies. The technique used to make the bread is difficult to master and has been passed down from mothers to daughters for generations. It is becoming more rare as it is difficult to make, so we were excited to experience it.
That afternoon we gathered on the streets of the village to see the Kachinas dance. All of the villagers and their relatives brought out chairs to spend the afternoon. Many were on the roofs of their homes.
The different Kachinas "lived" in the various six Kivas in the village. The first ones came out of the first kiva and danced to each kiva as the Kachinas came out. They danced around the village streets, from kiva to kiva, four times, and then went back the other way, with the Kachinas going back into their kiva the last time. While they danced the streets many of the Kachinas were seeking out children and giving them the gifts of Kachina dolls and bows and arrows. The gifts were all very detailed and very different, very beautiful. The different Kachinas had different purposes. Some Kachinas entertained, some chased each other and some of the spectators, some threatened violence to the disobedient, etc. It was a delightful afternoon.After the Kachinas finished dancing through the village, we found Grandfather Monroe's house, the last living traditional Hopi elder, now 100 years old, holder of the prophecies.
Grandfather Monroe's family said that as a younger man he would run 14 miles a day back and forth to care for his corn fields. We found out that the woman that gave Ranelle the bean sprouts was part of his family and cared for him. They invited us in to eat of their bean sprout soup. They were very gracious and kind, to invite us into their very small home with very many mouths to feed.

The ceremonies then moved into the Kivas. We were not allowed in the Kivas but were told we could watch from above. However, the public dancing didn't start until 1 a.m. and we had a long trip back home the next day, so we chose not to participate. We were told that this is when the Kachinas remove their masks and show themselves, dancing without their masks in the kiva.
This time with the Hopi will always be etched in my memory. It will always remind me to cry and release the past and look forward to the blessings of the future. It will remind me that everything comes and goes in cycles--relationships, trials, life events, and even the earth events. I choose to work harder at living the way of peace and harmony with my fellow human family and with our Mother Earth.
Until we meet again,
Dr. Judi

2 comments:
Amazing!
Hello, I am glad I found this article!!! You did a Great Job!! The Children, Lavena is my niece and the boy-Bryce is my son. Michele is my aunt. If there is a way, can you please email me the copy of the article to keep. rhonhongva@yahoo.com. Thank you
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